Selected Sounds - Table of Contents
Title Page
Abstract
Acknowledgements
Chapter 1: Introduction
A. Presentation of the Research Project
B. Theoretical Framework
i. Challenges
ii. Technology as Practice
Chapter 2: Methodology
A. Statement of Methods
B. Participant Observation/Ethnography
C. Reflexivity
D. Sampling as Citation
E. Friendship as Methodology
F. Research Creation
Chapter 3: Literature Review
A. Ephemerality and the Population of Sound Studies
B. Digital Designs: the production and consumption of sampling
C. Appropriation and Authenticity
D. Sampling and Control
E. Sampling and Copyright
F. Rhythm Science
G. Sampling as Technε
"H. Is it Live?" (The Question of Aura)
Chapter 4: An Introduction to
Appendix A
--A Sample-Based Exploration of the 'Selected Sounds' Interviews
A. An Explanation and Justification of Appendix A's Non-Linear Structure
B. An Analysis of the ten Questions Asked in the Interviews
C. A Discussion of the Sample-Based Practices of Each Interview Participant
D. Reflections on My Interview With Jackie Gallant
Chapter 5: "What is Sampling?": Inclusions, Exclusions and Conclusions
A. Technology
B. Community
C. Memory
D. Listening
E. Collecting
F. Ethics
G. Recording
Bibliography
Appendix A - A Sample-Based Exploration of the
Selected Sounds
Interviews
Appendix B - A Brief Introduction to "The Lesbians on Ecstasy"
Appendix C - Transcript of the Final Meeting With the
Selected Sounds
Research Group